Difference between revisions of "Nonlinearity"

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{{NumBlk|::|<math>\alpha_1  + \frac{3\alpha_3 A^2}{4}</math>|{{EquationRef|8}}}}
 
{{NumBlk|::|<math>\alpha_1  + \frac{3\alpha_3 A^2}{4}</math>|{{EquationRef|8}}}}
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Note that the gain now becomes a function of the input amplitude <math>A</math>. Thus, if <math>\alpha_1</math and <math>\alpha_3</math> have the same sign, i.e. both positive or both negative, then the gain increases, and we have ''gain expansion''. On the other hand, if <math>\alpha_1</math and <math>\alpha_3</math> have different signs, the gain decreases, and we have ''gain compression''.
  
 
== Cross Modulation ==
 
== Cross Modulation ==

Revision as of 11:56, 20 September 2020

Most of the time, we want our amplifiers to be linear. However, since the transistors that we use are inherently nonlinear, our circuits are also inherently nonlinear. One way to analyze nonlinear circuits is to use small-signal analysis, where we assume the circuit is linear for very small signals. In this module, we will look at the effects of nonlinearity that are not seen when performing small-signal analysis.

In this module, we will assume that we have memoryless systems, i.e. systems whose output is an instantaneous function of the input. Thus, we neglect the contribution of energy-storage elements like capacitors and inductors.

Harmonic Distortion

Consider a memoryless system with input and output . In general, we can express the output as a power series:

 

 

 

 

(1)

Note that for a linear system, is the gain, and for . Let us consider the case when the input is a sinusoid, . Let us further assume that the higher-order terms ( for ) are negligible. We can then express the output as:

 

 

 

 

(2)

Note that the output contains:

  • A DC term
  • A component with frequency equal to the input frequency, or the fundamental frequency.
  • A component at twice the input frequency, or the second harmonic frequency.
  • A component at thrice the input frequency, or the third harmonic frequency.

General Distortion Terms

We can use the Binomial Theorem to get for any :

 

 

 

 

(3)

Recall that we can express any term in the binomial expansion of as:

 

 

 

 

(4)

Thus, for odd , we get odd powers on of , and they appear as pairs of positive and negative exponentials. This means that we only generate the odd harmonic frequencies. On the other hand, for even , we get the even powers of , generating only the even harmonics. Also, we get an unpaired middle term that corresponds to the DC component:

 

 

 

 

(5)

Note that a function is odd if , and it will have an odd power series expansion:

 

 

 

 

(6)

In contrast, a function is even if , and it will have an even power series expansion:

 

 

 

 

(7)

Harmonic Distortion Metrics

Gain Compression

Aside from producing terms at multiples of the input or fundamental frequency, we can see that the gain of the fundamental component is also affected by the third-order coefficient, , giving us an overall gain of:

 

 

 

 

(8)

Note that the gain now becomes a function of the input amplitude . Thus, if have the same sign, i.e. both positive or both negative, then the gain increases, and we have gain expansion. On the other hand, if have different signs, the gain decreases, and we have gain compression.

Cross Modulation

Intermodulation

Cascaded Nonlinear Stages

AM/PM Conversion